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Today, something a little different. I have decided to highlight some contemporary innovative expansion of the traditional Maori pattern work from New Zealand/Aotearoa. It is the work of Mitch Manuel and is based on both the Koru, the symbolic curl representing the fern, as well as the Kowhaiwhai. Some of you may remember I produced an article about Kowhaiwhai a while ago, the article can be found here . Mitch Manuel takes the Maori decorative traditions, deconstructs them, and then reconstructs them again, producing a completely new pattern range, with seemingly infinite possibilities of the decorative formula. This is probably the best of decoration, taking tradition, understanding its formula and importance, and then reinterpreting it not only for the individual creative concerned, but for a new generation of consumers.  Decoration should always be seen as part of the contemporary world and not one only limited to the often locked world of past traditions. That we build upon the...

 Illustration: Clare Plug. Ice Crack 2 , 2008. The New Zealand textile artist Clare Plug has spent the last few years of her career developing a fascinating body of work that entails intimately observed details along with wider conceptions and observations of the most rarely visited of all the planets continents. In 2006 Plug was lucky enough to visit the continent of Antarctica as part of a fellowship, staying with the official government Antarctica NZ at Scott Base in the vicinity of the Ross Ice Shelf. It is no small exaggeration to say that this experience fundamentally changed her views and the entire aspect of her work, so much so that much of the textile art work that she produces to this day is haunted by this most spectacular and hauntingly beautiful continent. Illustration: Clare Plug. Ice Crack 2 (detail), 2008. The three works shown here are examples of Plug's Antarctica Series which explores a number of aspects of the continent from the fragile and relatively recent...